Memorabilia.

Last weekend, our good friends Jamie and Theresa travelled up from Southend-On-Sea to come and stay at our home here in The People's Republic Of The West Midlands. (If you read my blog regularly, you'll know Jamie, as he's the only one who leaves me any comments!)

It was Jamie's birthday on the Saturday (and might I say, he doesn't look bad for fifty! Only kidding, Jamie!), and after he opened his cards and presents, and still feeling the effects of the alcohol and Moroccan cuisine from the night before, Jamie and I headed out to the National Exhibition Centre for the Memorabilia show. His other half decided her time would be better spent mooching around Brum's shops, whilst my other half was at the theatre watching His Dark Materials with my eldest daughter.

We went to the NEC by train from the lovely, awe-inspiring New St. station, mostly because it's probably the quickest way of getting there, as it's only one stop, and the fact that parking at the NEC would cost at least eight quid. The problem with going to the NEC by train is that after you get off at Birmingham International, you think you're nearly there, but you're not. You're in a building that says it's the NEC, but it's a bloody long walk to the exhibition halls. You go up escalators, down escalators, down endless corridors, along several moving walkways until, about a week later (okay, I'm exaggerating slightly) you get to the exhibition halls. But that's not the end. The Memorabilia show was in hall 12, we were outside hall one, so we walk for another three days (I exaggerate again) until we get to our destination. If we weren't sure if it was the right place, the shitloads of blokes dressed up as stormtroopers and a couple of Jedi outside confirmed that this was indeed the Memorabilia show.

After being allowed to jump the queue because we were paying for our tickets with cash (Ten quid! Each! Bloody Nora!) we went into what was frankly a massive room stuffed to the gills with all sorts of cool stuff. One of the first things we saw was a toy stall, selling lots of stuff similar to the things I had as a kid for shocking amounts of money. All of it was still boxed, and you weren't allowed to pick any of it up. I might've mentioned before that I collect models of the Batmobile (I know, it's a sickness, but they make the windowsill in my sketching room look a lot cooler) and I saw a Batmobile I'd quite like. It was from the 70s, made by the Mego company for their 7" action figures of Batman and Robin (not included) to sit in. We asked how much it was, because none of the items had prices on them. Probably because a little sticky price tag might damage the precious packaging. Anyway, the stallholder gets out a little folder that had all the prices in it, looks it up and then tells us that the batmobile would cost me £195. That was about £190 over my limit, so we thanked him and moved along.

We also saw, from the side looking in, Robert Vaughn doing a Q&A session, and he's a lot smaller than I thought he would be. Quite old, too. It's amazing, though, how he's kept his hair colour even though he's well into his seventies. More on him later.

One of the things that bugs me about this kind of event (comics conventions included), and it's only a recent phenomena, is the amount of cosplayers that turn up. I hate cosplayers. I know they're essentially harmless and they're only having a bit of fun but they do my head in. I reckon they give the rest of us nerds a bad name. People look at them and think 'what a bunch of sad bastards', and think all of us geeks are like that. There was a group of about ten teenage boys all dressed up as Doctor Who. All of them were the David Tennant Doctor, except for one who must have read the email incorrectly and turned up as William Hartnell. A fat, Asian, William Hartnell. Still, at least he was the only one who stood out. I saw all those young lads, with their brown full length coats, brown suits, Converse trainers and their hair all spiked up and I was reminded of the crowd scene from Life Of Brian; "Yes, we're ALL individual!"

There were also quite a few very young teenage girls dressed in not much, including one girl of about fifteen wearing a revealing corset, and this kind of thing brings out the dad in me. I say things like 'I bet her dad doesn't know she's wearing that' and 'there's no way any of my kids are going out looking like that!' even though I know, deep down, that if my girls did want to go out like that, there's not really that much I could do to stop them. There is such a thing as freedom of expression in this country, despite all of my objections!

Also, it's very stupid going to these things dressing up as the thing you love. If you're dressed up as Anakin Skywalker, a Star Wars memorabilia dealer knows he can charge you a bit more because he know's you're a Star Wars nut and you'll pay it. I bet all the dealers with Doctor Who stuff rubbed their hands with glee the moment they saw the ten Tennants approaching them. Only under tens and the Fathers 4 Justice and those people who are paid to walk around these conventions dressed up are allowed to wear superhero or sci-fi costumes (I might make allowances for people press-ganged into going to a fancy dress party. I'm not a big fan of those, either!) the rest of you should stop. Really. Especially the ones that make their own costume out of bits of egg boxes and Lego. Honestly, it's like Paris Fashion Week for the blind and stupid.

Rant over.

The amount of stuff available here was amazing. If spare cash and spare space wasn't a problem I would've come home with shitloads of geeky stuff. Honestly, if you're a nerd like me, you would have had a field day looking at this cool stuff. There was some crappy junk as well, but it was mostly cool. Less cool, however, was the 'celebrities' charging you at least fifteen pounds for an autograph. Some of them are people the non-nerd has heard of (Stephanie Beacham, Robert Vaughn, Richard Briers-who was a bit of a weird choice, I can't really see loads of obsessed cosplaying fans turning up dressed in tweed and kilts asking him to sign their VHS copies of Monarch of The Glen, can you?) but a lot of them were 'third alien on the left' types from Star Wars and I don't think having the autograph from the guy who was 'Yak-Face' is worth fifteen quid, frankly. I'm not really sure whether these are actually who they say they are, anyway, considering that these people spent their moment of fame under shitloads of prosthetics. He could be lying and pretending he was Yak-Face, for all I know, just to get his hands on fifteen quid from a Star Wars freak who really should be old enough to know better.
Don't get me wrong, there were people there I would have liked to get autographs from. There were a few Bond alumni there, for example. There was Richard Kiel, the man mountain who played Jaws, who is absolutely fucking huge- he's probably wider across the shoulders than I am tall. It was sad to see his mobility scooter, though. I also would've liked Guy Hamilton's signature, as he directed Goldfinger, the quintessential 007 movie. (Interesting fact about Guy Hamilton: In the movie The Third Man, that famous shot where you see Harry Lime's shadow running away, that shadow actually belongs to Hamilton- who was Carol Reed's assistant director, because Orson Welles didn't bother showing up for filming that day, because he was a notorious pain in the arse and probably because the only running Welles ever did was away from the salad counter.) The thing is, if you ever happened to bump into these people in the pub, they'd probably give you an autograph for free (although it's unlikely Jaws ever drinks in Moseley, there are a few Yak-faces, though.) and that's the main reason I refuse to pay for it. The other main reason is I don't have that many spare fifteen quids at the moment! I was going to get George Lazenby to sign my picture (see last post) but he wasn't there, so stuff the lot of them.
Saying that, one of us did pay for an autograph, and it wasn't me. Jamie saw the bloke who plays PC Stamp from The Bill walk past us, and had a brainstorm. His dad is a big fan of the show, apparently, so Jamie thought it would be nice if he could get PC Stamp (don't know his real name, and I can't be arsed to Google it, either) to talk to his dad on the phone. Which he did, fair play to him, but the trouble is, he might be a well-known face on British TV, but he doesn't really have a distinctive voice like, for instance, Sean Connery, John Hurt or Michael Caine does. Jamie's dad didn't have a clue who it was that had phoned him up so the first five minutes of that phone call were really awkward. I don't know what was said on the other end, but I can imagine it was along the lines of 'Who the fuck is this?'
Anyway, when Jamie's dad realised who it was, the conversation went a bit more smoothly, but at one point, PC Stamp said to Jamie's dad something along the lines of 'Well, your son is going to buy you a nice signed photo for you' and from that moment on, Jamie felt obliged to buy a signed photo of a bloke from The Bill for fifteen pounds. He didn't really mind, it was a nice gift for his old man, after all, but I think Jamie, being a rabid Star Wars fan, would rather have spent that money on Yak-Face's autograph. I think I upset PC Stamp though, he asked if I'd got everything I'd came for, if I was enjoying it, the usual smalltalk, then for some reason, he sort of accused me of being a cosplayer. Probably on the basis that I was wearing a Silver Surfer T-shirt. Not only did he accuse me of being one of the things I hate most in the world, he suggested that I probably dress up as a superhero when I'm having sex with my girlfriend. I know he was only trying to be blokey and have a joke, but fucking hell, that's a bit much isn't it? I replied by asking him whether they let him keep his uniform (for sexual purposes) when he left The Bill.
"I haven't left, actually, but thanks for paying attention."
And that was the end of that conversation. Next to him was the German guy from Raiders Of The Lost Ark (another favourite movie of mine, but surely it's a favourite movie of everyone's.)whose face melted at the end, and I wanted to ask him about his appearance in the Ferrero Rocher 'Ambassador, you are spoiling us' advert, but I didn't have the courage so we went away and watched some wrestling instead.
Well, I say wrestling. It was a bit like wrestling. There was a ring, a referee and wrestlers, but it was all a bit, well, rubbish. For some reason, the wrestlers kept trying to get the crowd to clap along, but they didn't seem to realise that us Brummies don't really do audience participation. We have the attitude of 'I paid ten quid of my hard-earned cash to get in here, and you want me
to do your job for you? You entertain me! I don't ask you to come to my factory and polish my power press, do I?'
So there wasn't much clapping. Anyone who did clap along were either children, idiots or interlopers from beyond the Black Country. It was a bit like like wrestling used to be when I was a nipper- you know, World Of Sport and Kendo Nagasaki and Johnny Two Rivers and fat blokes with a woman's bathing costume on worn back to front, before we got slick, polished American wrestling shows imported to show us how it could be done if we could be bothered to put the effort in. To be fair, they were going for the American style of wrestling, the 'good guy' wrestlers had washboard stomachs and muscles (something the World Of Sport bunch couldn't be arsed with, they just bounced off ropes and belly-barged into someone with their beer guts) but the 'bad guy' was a bit weedy-looking and the actual bouts were unconvincing. I know wrestling is fixed, but you don't make it obvious. They were stamping on the floor when they 'punched' someone, for God's sake! I wanted one of them to slash his face with a razor, Mickey Rourke-style, that'd be cool, and it would really freak out all the five year olds watching. To be fair to them, though, they did throw themselves around with gusto, and their backs looked all red and sore, so it must hurt, and it's something I'd never do (probably because the sight of me running around in swimming trunks and bright green knee-high boots would turn the Memorabilia Show into the Projectile Vomit-Con 2009) so, my hat goes off to them. If I ever wore one. Which I don't.
At the end of the show, Jamie went up to one of the guys who organises the show and congratulated him on how good it was (Despite all my moaning above, I did have a good time. Moaning's just what I do.) and on the table in front of him was a load of large glossy prints of various people sitting next to Robert Vaughn. They apparently had a scheme where you pay to have your picture taken with the former Man from U.N.C.L.E. and you pick it up at the end, like you do when you get off a rollercoaster at Alton Towers. The weird thing was that the ex-Napoleon Solo (another intersting fact- Ian Fleming came up with that name. Also, my dad was such a big fan of The Man From U.N.C.L.E. that I was nearly given the name Napoleon Trimble. I'm glad he saw sense) had exactly the same facial expression in all of them. They might as well have taken one picture of him and photoshopped him next to all of those other people.
(Actually, I read in the Birmingham Mail the other day, that the next series of Hustle is being filmed up here in Brum, and that Robert Vaughn is looking for an apartment in this very city. Hopefully I'll bump into him and get an autograph and save myself twenty quid!)
And so, after about three hours of looking at cool stuff, and after trying and failing to get our picture taken with a bloke dressed as Iron Man, Jamie and I headed on the long, long walk back to the train station with our freshly-bought junk weighing us down. I got a few books and a few more batmobiles (one of which Jamie bought for me, bless him) and we'd had a good time. I'd definitely go again. It's a good laugh.

Oh, and the guy who plays PC Stamp's name is Graham Cole, apparently.

Mick's BICS.

Well, Birmingham International Comics Show went by in a flash, didn't it? It's in its third year now, and it keeps getting better. It's certainly more slick and better organised , less malodorous and in a nicer venue than its Bristol counterpart, but it's still not quite got the vibe that the Brizzle expo has. Like Sting says, though, I'm sure it'll come eventually.

Andy Winter and I were there to flog Septic Isle, we got there fairly early on Saturday morning (after we'd had 'a night on the pop' on Friday) and discovered that our table was the first one people would see as they came in. However, we weren't in the main hall, so it turned out ours was the first table people would ignore as they rush past to go and meet John Cassaday. Just after we set up and had a coffee I got a phonecall from my friend and fellow MC2-er Laura Howell asking me if I could help them carry their stuff up from the car. I dutifully go down and offer my services and get roped in to carrying someone else's stuff, leaving Tim (Laura's partner) standing there in the car park like a spare prick. After I carried the other lady's stuff up to the exhibition hall, I rushed back down to see poor old Tim struggling with three big wooden boards and helped them carry it all up after all.

My good deed done for the day, I sat back down behind our table and got ready to meet the punters. We shifted a few copies of Septic Isle, but it wasn't exactly flying off the stand. Our stall was directly opposite a large projection screen, which, at about eleven o'clock, started showing an extended trailer for ITV2's crappy sitcom No Heroics. It showed it again and again and again and again. Not really helping us with sales. Jean-Paul Sartre once said that hell would be being stuck in a room with your friends for all eternity. Well, he was wrong. Hell is being sat opposite a loop of a really unfunny trailer (and besides, I like my friends. Most of them, anyway. I think you have to put Sartre's comments into context. His mates were French, after all.) The trailer was completely inappropriate anyway, as it was a room with quite a lot of young children in it, and the trailer had references to drug use, masturbation and someone said 'fucking' in it too. Andy, bless him, had a word with Shane (one of the organisers and a really nice bloke) about how annoying it was, he agreed with us and it promptly stopped. The sense of relief amongst the row of stalls we were in was palpable.

The other thing I've noticed after going to a few of these things in recent years is the change of the type of punters that are coming to the cons. When I first started going there were very few females attending, there are certainly more attending these days. Admittedly, a lot of them are girlfriends being dragged along by their nerdy other half (like my girlfriend, who I've not mentioned so far, but she did come along with me, bless her, despite us both being up to our eyes with our house-moving) but there are a lot of genuine female fans coming to the conventions.( I know there has always been genuine female comics fans out there, they just didn't seem to come along to conventions). There tends to be a lot more families coming along too, which is also a good thing.

But there are also the cosplayers. The ones at Brum tended to be of characters I'd heard of, the Bristol con tends to get the manga/anime freaks dressed as characters even I've not heard of, as nerdy as I am, and the costumes at Brum tended to be of a very high standard. There were some professional dresser-uppers there too, special mention must go to the guy dressed as the Heath Ledger Joker, as he did really look like him (or 'fucking creepy' as my lovely other half put it) and, though I wasn't looking, obviously, the lady dressed as Harley Quinn looked nice, too. There were also people dressed up as Dan Dare (although his eyebrows weren't the same distinctive shape as Dare's; things like that are important to me. I know, it's an illness, I can't help it!), Batman and some of the Thundercats.

Our friends Jamie and Theresa turned up a bit later, moaning about how poxy it is to get around Birmingham. Theresa rescued my girlfriend and they went off shopping. I later got a text from Heather telling me that Geri Halliwell was signing books in Selfridges. I asked one of the cosplayers who was dressed as Green Arrow (Connor Hawke, not Ollie Queen) sitting opposite us if he could actually use the bow he was carrying around and if he minded going to the Bullring to fire a few bolts at Ginger Minge. He looked at me like I was mental. He's dressed as Green Arrow and I'm the mental one. Figure that out.

Later on, my ex and my youngest daughter turned up, and I was shocked to discover it had cost them fifteen quid to get in. I reckon that's a bit steep. As good as the con was, there's not enough for the casual punter who is just there to buy stuff to look at or do that's worth that much money, and that got to hurt the stallholders if the punters are already a tenner lighter before they go in.

During a fag break (it took ages to get downstairs and outside for a smoke, the expo was three floors up) it was too windy for my poxy lighter to work, so I borrowed a lighter from another 'snoutcast' and got chatting to him about Brum's metal legends Sabbath and Priest, Bill Hicks and how us smokers are treated like criminals amongst other things. Then, on the way back up I found out that I'd been talking to the fairly famous artist Frazer Irving. He's a cool guy.

Generally, the Saturday's trade was steady, not spectacular, but it'd been a fun day, and it's always nice to meet up with the people you only see at these conventions.
After we all packed up for the night, we planned to meet up in town for a meal and a drink, so Heather and I headed back home so we could get changed (the thing I find weird about the Brum comics show is not staying at a hotel, it doesn't feel right going back home after a day at a comics expo) watched a bit of telly (still not sure about BBC1's Merlin) and headed back out to the city centre and met up with Jamie and Theresa, Andy and his old mate Rob, and Keith Burns (like me, a former StripSearcher and he's also the talented artist of Blood Psi) and we all went for for a big-ass burger at the Handmade Burger Company, which is on the canalside just behind the ICC. The meal was great, but the onions in it kept repeating on me and led to me doing foul rotten flesh-smelling mini-burps all evening. It's surprising how popular this makes you. Afterwards we decided to go for a pint or three, so it was up to me as the only Brummie to decide where to go. I plumped for the Tap and Spile, as it was close and doesn't have dance music drowning out any attempt at a conversation. The problem is, however, that particular pub is a bit of a dive. And it takes ages to get served. And you have have to listen to the other patrons talking about snuff movies at the bar while you're waiting. Besides that, though, it was okay and we all had a good evening. Whilst I was in there I bumped into two old schoolmates of mine and was cheered up by their distinct lack of hair. Okay, they might have better careers and all that stuff, but at least I can still ask the barber for 'a little off the top' and not worry about it!

At the end of the evening, Heather offered everyone a lift back to their hotels (she's poorly, bless her, so she decided not to drink and therefore could drive) so we traipsed through the little bit of Brum that most resembles Gotham City (Broad St.) to the car park at Brindleyplace (that's not a typo, it is all one word. When Birmingham City Council rebuild and rebrand stuff, they like to remove the spaces from names. The 'Bullring' is another example) where we were stuck in a logjam of cars. We waited nearly an hour to get out of the sodding place, but we had great fun bitching about all of the other drivers, who really were total cocks. Not so much fun were the rotting flesh belches, which are even less amusing in a car full of people. So, even though it took our friends over an hour to get to what was basically a ten-minute walk away, we were all in good humour (although I am slightly worried over one friend's admission that he fancies Rupert Everett. I think his wife might be, too) and looking forward to the Sunday.

After a very slow start (probably because of the weather. It was pissing it down as usual) Sunday was a good day for us. We sold loads more on the Sunday, very unusual as Saturday tends to be the biggie, normally. So much so, in fact, that all the initial print run of Septic Isle is now all gone. (Don't worry, there's about to be a second printing for our dispatch to shops and websites) I even managed to leave our table for a bit and have a proper look around and buy some tie-in tat as gifts for my offspring. The nice lady at the Forbidden Planet stall liked my T-shirt, it had cartoon versions of the characters from Monkey on it. She wasn't the first. I had comments about my T-shirt all day. I very rarely get nice comments about what I'm wearing from strangers, but I obviously impressed a few of my fellow nerds. Actually, whilst at the Forbidden Planet stall, a man passed by with the copy of Septic Isle he'd just bought, so I asked him if he wanted me to sign it for him. He checked the photo in the back to see if it was actually me that drew it, then he ran off to get a pen, and eventually I signed it. I always dreamed I'd be signing my comic books at Forbidden Planet; This was good enough for me!

I did a bit more sketching on the Sunday, and people seemed genuinely pleased to get my amateurish scribblings with their purchase of Septic. One bloke asked me to do a sketch, so I did him one of Marley, the protagonist from our book. He also asked me to write who it was, sign my name and date it, and he also took a picture of me doing it. As he'd bought our comic, I thought it was the least I could do. I reckon he was going to put the book and sketch on eBay('signed by the artist! photo verification!) I think he'll probably get about 12p. He obviously thinks I'm more famous than I actually am. Which is not very famous at all. Still, good luck to him. I just hope he doesn't spend all of the 12p in one go.

Other highlights from the Sunday include: My mate Jason getting work from DC after a portfolio review. That's great news, he deserves it as he's so talented. I finally got hold of the Frankenstein comic adaptation from Classical Comics, despite my own problems with that particular publisher, because my friend Declan Shalvey illustrated it, and it looks tremendous, and it's a good read, too. Had a chat with the FutureQuake guys, and it was good to see Dave 'Bolt-01'Evans telling off his son for being too nerdy. Bloody right too. The Joker looky-likey was back in a nurse's outfit on Sunday, and the girl who was Harley came back dressed as Lara Croft. she looked nice, apparently, but I wasn't looking, of course. Joining the professional dresser-uppers for the Sunday was a guy dressed as the Brandon Routh Superman. You know, the one with the burgundy cape and the too-small 'S'? He didn't really have the build for Supes, but fair play to him. My girlfriend told me how she shared the lift with him at one point, and at every floor, someone got on and said 'cape not working, then?'. On every floor. Brummie humour. Best in the world. Serves him right for not actually being able to fly.

Trade died a death after about half four so we decided to pack up. Heather went and asked around in the main hall to see if they had any spare boxes for our move. She got some too, so now, when I do move this weekend, I'll be carting my stuff round in boxes with 'Batman figural bank' and 'Sinister Six Vulture med statue' printed on them. Even my house move has become a nerdfest!

Still, it was a good convention. We had a great weekend, but now I have to turn my attentions to packing up all my various shite and shifting it to my new abode, so this'll be my last post for a bit, as I don't know when I'll next be online. I'll see you all on the other side of the move. Ta ra a bit!

My trip to Bristol part two: Saturday

The weather had sorted itself out by Saturday morning and it was an extremely sunny day. I got to the Commonwealth rooms (where the con was being held) about half-nine and already the queue was all the way down to the bottom of the street. None of that queueing for me, as I was an exhibitor, so I joined the much smaller queue of other exhibitors and waited to get my pass. In the queue I met Hunt Emerson and Tony Bennett (from Knockabout Press) and shot the breeze with them as we waited to get our passes. This was organised very haphazardly, and I ended up with a pass that just said 'Temporary Pass' written on it in biro.(Actually, it just said 'Tempy Pass') But, I got in, and met up with Andy Winter and got ready to launch our book Septic Isle. Our table was directly opposite the Forbidden Planet stall/toyshop, and we were at the end of the aisle, and it was a fantastic spot.

We had a good day. Septic Isle was selling very well, Andy and I were signing books all day, and I've never been asked for so many sketches before. I think, over the weekend, I did a couple of Marley (Our book's hero, as it were), a Sontaran from Doctor Who, The Phantom, Conan, Judge Dredd, Superman, and a few more I can't remember. I do remember how stained my hands were because of the inks from the pens I was using, though! A tip for budding artists out there; Don't buy those 99p black felt tips from WH Smith. they lose their point after about five minutes and they leak all over your fingers!

Andy and I at the Moonface Press table. Note the Aston Villa wristband, which, apparently, is a fashion faux-pas according to my girlfriend. A fashion faux-pas? At a comics convention?! Strange, I know!

The hall was hotter and sweatier than Lucifer's balls, and though it was just about bearable by where we were (we were by a door) at the back of the hall it was roasting, and there was a lot of sweating, judging by the funky aroma at the rear of the hall. We were kept hydrated by my lovely lady, who kept bringing us water, bless her! And I know this doesn't sound like me, pessimistic sod that I am, but everyone I met at the table were really nice, including the four really nice Muslim girls who each bought a copy of Septic Isle because of its anti-Nazi/BNP stance, but then me and Andy started worrying that the sex scenes, swearing and extreme violence might offend them, and we'd forgotten to warn them about it. oops!

Heather had devised an excellent escape plan for herself by inviting her friend Jane down to a)meet me and b) rescue her for lunch for an hour or so. I wish I'd thought of something similar but I've not got any friends! I did manage to escape for a bit and had a drink (hair of the dog; still a bit rough from our rainy drinking session the night before) with my girlfriend and her mate. This drew stares of astonishment from most of the punters because it was weird that a bloke emerging from that hall actually knows some women.

Also, as usual at these things, the costumed types turned up. There was a garrison of Star Wars stormtroopers accompanied by a Boba Fett, a Snowtrooper, a Death Star Gunner, and a big Biker Scout. They were a very game bunch, posing for photos and raising money for charity and they must've been sweating buckets under all that armour. Then there were the Cosplayers, mostly teenage girls (though there were some lads doing it too) dressed up as their favourite manga/anime character. I found some of the costumes a bit inappropriate for fourteen year-olds to be wearing, I'd never let my daughter wear that kind of gear, but then that's me probably being out of step with what kids are like these days. Also, I must mention the one girl (I think it was a girl, anyway) dressed as a polar bear, or a snow-wolf or whatever (just imagine a big white furry animal thing with a big head) it shows dedication to walk around in the oven that was Bristol Commonwealth Rooms covered in fur. Especially when most people looking at you don't even know what you're supposed to be dressed as. There weren't many people dressed as actual superheroes. There was an Elektra hanging with the Cosplayers, but that was about it. Actually, at one point Kev Sutherland accosted three of these Cosplayers by our table, there was Elektra, a girl dressed as what appeared to be a giant Warhammery tank thing with knives for fingers, and another general Japanesey type costume and asked them if they wanted to take part in a video he was making. He set up the camera on our table, put on a Benny Hawkins-style woolly hat and two sock puppets on his hands to become his alter-ego 'The Scottish Falsetto Sock-Puppet Theatre' then he explained to the girls that he would sing 'my name is...' and that they had to shout out who they were dressed as. Then he said(in a decidedly Sid James kinda way) 'I'll take you one at a time'. So then he proceeds to play out this patently ridiculous act three times in a row, while me and Andy look on wondering how weirder the day was going to get. I was worried I might get roped in, so I buggered off for a tactical fag. I had a T-shirt on that had the 70s Batman comics logo on it. So, while I was outside smoking and waiting for the ridiculousness to end, a lady photojournalist said to me 'Excuse me, Batman? Do you have a light?' This is the first time I've ever been accused of being a superhero, but I made some shitty joke about telling her not to call me that name in public, and I lit her ciggie for her before I went back in. Luckily, Elektra, General Japanesy, Warhammery Tank and the Jock Socks had all done one by the time I got back. Phew.

A good thing about these conventions is the fact that you get to meet and catch up with friends that, for one reason or another, you only see at these things. Great folk like Keith Burns (Blood Psi), Declan Shalvey (Hero Killers), Dave Evans(Futurequake) and Steve Tillotson (Banal Pig). Plus you meet and make new friends too. I met Jamie, who is a frequent commenter on this very blog, and his lovely wife Theresa, for the first time and we got along like a house on fire. (Probably a bit too well-see picture!)

Keith, Andy, Declan, Jamie and I all arranged to meet up and go for dinner at the end of the day's festivities, and so we did, after I went back to my hotel and changed my by-now stinky Batman T-shirt for a Kirby Hulk one (my cache of nerdy T-shirts is almost bottomless!) whilst watching the generally disappointing 'Doctor's Daughter' episode of Doctor Who. We went to a pub/restaurant called The Hole In The Wall where it took ages to get served because the poor lad serving us all had a broken arm. I asked him whether they forced him back to work, but he told me he volunteered to come back because he was bored. Jamie then replied something along the lines of 'I understand, well, you can't have a wank, can you?'

The meal was a good laugh, conversation basically consisted of us slagging off each other's favourite movies. well, except for Declan and Heather who agreed on almost everything. We also found out that, in the case of The Shawshank Redemption, Andy was 'on the side of the guards'. We all had to leave when Declan remembered he should've been at the Eagle awards because he was up for a gong for 'best newcomer artist'. We tried to convince him it would be cool and a bit rock n'roll not to turn up, but dec was having none of it, so we all headed to the nearby Ramada hotel where the awards ceremony was being held.

To Declan's relief, we got to the ceremony just as it started, and the rest of the group who weren't nominated for anything stayed at the rear of the hall, by the bar, and watched the ceremony and generally tutted at the announcement of most of the winners. All the people I knew that were nominated for awards came away empty handed. Pity. I think that the Eagles should celebrate British creators more, maybe have a couple of 'international' categories, because most of the time the awards were given to people who weren't there, because they're in the USA, and probably don't even know they've won. Still, it was cool to see legends like Walt Simonson and Dave Gibbons (who weirdly won 'best letterer'; to my knowledge he only letters his own art) up on stage. After a bit of commiserating with some of the losers, (although I didn't buy any of them a consolation drink as it was nearly FOUR QUID a pint!) we all went into the Ramada bar proper and 'shot the shit' with all the other artists, writers and general geeks I know. Random topics of conversation included Jimmy Saville's sexual proclivities and whether 'Lobster Thermidore' is a viable first name for a girl. After spilling most of last pint down my aforementioned Hulk T-shirt (I wasn't that pissed, I was nudged) Heather and I decided to head back to our hotel while it was relatively early. This was one o'clock in the morning!

Me in the Ramada bar, after the spillage incident. Notice how my coat is done up?

Still, it had been a fantastic day.

Fame Remaining: 14 mins and 59 secs...

Last night the BBC, as part of its Ramadan season, broadcast a programme entitled She's A Thoroughly Modern Muslim. I mention this because I was in it. For all of one second. Maybe a second and a half. The programme featured four Muslim women from around the country and how they're getting on in 21st Century Britain. One of the women was a member of the Midlands Comics Collective and rising star in the world of cartooning Asia Alfasi. The programme showed her at one of our meetings and I was in the background in my rather cool Silver Surfer T-shirt looking all handsome and talking to fellow MC2-er Mikey Ball (possibly also looking handsome, but you couldn't tell, as you only saw the back of his head). For all of one second.

Anyway, none of these thoroughly modern muslim women were quite as thoroughly modern as the lady I saw the other day. She was wearing the hijab headscarf, and she was also wearing quite revealing denim hotpants! Nothing illustrates the east meets west melting pot that is Brum better than that!

Maybe they should do another, similar documentary about another misunderstood minority in this country called He's A Thoroughly Modern Nerd, where I could talk about how society stereotypes me and thinks I'm oppressed, and think I'm forced to wear strange clothes, clothes like my rather cool Silver Surfer t-shirt. (NB. said garment was bought way before the Hollywood travesty FF2 came out and made Norrin Radd a bit rubbish. It depicts the cover of Silver Surfer #19 and has groovy John Buscema art on it. I love John Buscema's art.)

Anyway, us thoroughly modern nerds have something to shout about, as BBC4 are currently having the Comics Britannia season, the Comics Britannia show itself was quite good, focusing on the history of the Dandy and the Beano and all their spin-offs and imitators. It was good as I found out what Kevin O'Neill looks like, and he surprised me as he doesn't look like his drawings. People say the characters in my strips look like me (although, looking at my strips, I've yet to draw a fat four-eyed bastard, so maybe they're wrong), and a lot of the fairly well-known artists I've met over the years look like their drawings. Especially Bisley! But Kevin doesn't. That would be quite difficult though,as Kev O'Neill's characters are a lot more abstract than most other mainstream artists. Don't get me wrong, I wasn't expecting them to be interviewing a real-life Nemesis The Warlock on his love for the Beano, but that would've been cool, though, wouldn't it? My main problem with the documentary was that a lot of the original creators and fans said that political correctness had ruined the D.C. Thompson comic books, but I'm sick of this notion that all P.C. is bad and restricts any kind of freedom of expression. You can't have a comic book aimed at kids (or anyone, really) that's as full of racial stereotypes as the Beano used to be, especially as a fair number of the readers of these books are now from a non-white family. And having bullying and corporal punishment used as entertainment just can't be right. Despite this, I enjoyed the documentary, and I'm looking forward to the next part. Also, on Sunday is a show called In Search Of Steve Ditko, in which Jonathan Ross interviews the Spider-man co-creator. Also fab, are the re-runs of the old '60s Batman TV show, which are great. The sight of Batters disco-dancing with Jill St. John is fantastic and gives me an excuse to re-post this clip, one of my YouTube favourites:

See you all again soon.

T-Shite.(XL,mostly.)

Last night, the pile of black bags full of my clothes in what will become the kids' bedroom finally pissed me off. I'm between wardrobes at the moment. Not, literally, mind."Help! I'm trapped between these wardrobes! And they're fitted! Aaaarghh!" I do however, have some spaces left where I can stick some of my clothes. I was always of the opinion before that I never had any clothes. There's always something I need a new one of. Now I know I'm wrong. I must have about eleventy gazillion T-shirts. Going through them and folding them up last night, I realised what a sad geeky bastard I really am. The sad thing was, I'm geeky enough to count all the different types of T-shirts I've got. I have four Star Wars related shirts. I've two Daredevil shirts. Two of the Hulk. A Silver Surfer. A Punisher. Two Batman. A Captain America. A Bingo Bonanza (a small-press book I did a strip for. It qualified me for a free T-shirt at the last Brighton Expo). A Dalek. A Spidey. A replica of the shirt Sam J. Jones wore in the Flash Gordon movie. A fondue set. A cuddly toy.
How sad is that? I didn't include the loads of music T-shirts I've got, or the scores of Aston Villa related clothing. Thing is, there's a lot of these shirts I probably won't wear very often in case people spot me for the nerd I really am and attack my flat with pitchforks and flaming torches. (in the case of the Villa stuff, seeing as I live in a 'Bluenose' area, I walk around in Claret-and Blue, I will have my lungs handed to me by a group of dirty, tattooed knuckle-dragging Birmingham City supporting Cro-Magnons!) There's some old t-shirts that I've had since I was a teen that I refuse to throw out because of some stupid sentimental attachment, or "I'll keep them to do the decorating in, or summat", despite the fact they've got more holes in than Clyde Barrow, or my expanding beer gut means I can't wear tham without looking like a sack of shit tied in the middle. I really have to start geting ruthless with my hoard of old shite.